魔兽[电影解说]

简介：美丽干练的出租车司机小凤（马晓晴 饰）和安于现状的小号手大明（葛优 饰）是一对结婚两年多的小夫妻，柴米油盐酱醋茶，种种生活现状让他们的情感出现了问题。小凤嫌弃大明不求上进，大明则一心想要孩子却不能如愿。耐不住老婆的催促逼迫，两人总算来到民政局，谁知调解的过程中却与另一对 夫妇大打出手。结果婚没离成，灰溜溜地走了出来。大明三番五次表达忠诚与爱意，可是无法挽回美人心。在分居冷战期间，民间医生刘易守（侯耀华 饰）和单纯热情的小歌星英子（蔡明 饰）相继进入二人的生活，使得他们的感情泛起无限的波澜。　　改革开放下的红男绿女，歌词品尝着爱情的甜蜜和苦涩……

简介：养尊处优的布里特•瑞德（塞斯•罗根Seth Rogen 饰）在父亲忽然离世之后，不得不开始经营庞大的报业集团。然而父亲的员工加藤（周杰伦 饰）出现，却让布里特的生活发生了彻底的改变。加藤不仅能磨制出美味的咖啡，而且还是空手道大师，更令人称奇的是，他是一名出色的机械师。加藤制造了一部无坚不摧的战车“黑美人”，自此，俩人驾驶着“黑美人”打着“青蜂侠”的名号，开始在夜幕下的洛杉矶打击各种犯罪。“青蜂侠”的名号大震，报业集团也因大幅报道各种“青蜂侠”的消息而发行量大增。可是，为了争得美女秘书丽诺尔（卡梅隆•迪亚茨Cameron Diaz 饰）青睐，两个男人之间产生心结并最终决裂。“青蜂侠”的行动威胁到了洛杉矶黑道大哥查德诺夫斯基的势力，他决定不借任何代价铲除“青蜂侠”。危机重重之际，布里特父亲意外身亡的真相也逐渐浮出水面，布里特与加藤能否再度联手惩治邪恶，让人充满期待……　　《青蜂侠》的故事起源于20世纪30年代的美国，70年代华裔影星李小龙正是凭借电视剧版《青蜂侠》典定其演艺事业的根基。这是《青蜂侠》第一次被搬上大银幕，也是华人明星周杰伦的好莱坞处女秀。

简介：“想要忘记，偏又记起” 正如耿（Arak Amornsupasiri 饰）的初恋，他从学生时代起一直暗恋着凡（Yarinda Bunnark 饰），当年鼓起勇气正要表白时，却发现凡已成为自己死党的女朋友。毕业后，耿参加了他们婚礼，但是一年后的同学聚会上却得知他们离婚的消息。一只受伤的狗，让开宠物诊所的耿与爱宠如命的凡紧密联系；一张尘封已久的CD，让过去本已忘怀的记忆涌现心头…… “想要记起，偏又忘记”正如扎木拉爷爷与索姆皮奶奶之间的爱情。他们相识于周日老年计算机培训班，扎木拉爷爷每周从泰国南部的春蓬开车到曼谷，只为做索姆皮奶奶（Sansanee Wattanakul 饰）3个小时的同学。索姆皮奶奶的儿子反对他们来往，准备带着全家移民美国，但她不想离开扎木拉爷爷，于是瞒着儿子与扎木拉爷爷“私奔”到春蓬。但造化弄人，扎木拉爷爷的老年痴呆症病发，大脑开始慢慢忘记周围的一切，但他想尽一切办法记住这份来之不易的爱情……

简介：没落书生顾省斋（石隽 饰）在小镇经营字画铺“代写书信春联”过活，奉养家中老母，偶然结识了家附近废屯堡新搬来的杨之云（徐枫 饰），与其暗生情愫。恰逢东厂人士欧阳年（田鹏 饰）前来打探，其与附近算命瞎子（白鹰 饰）动手，被顾生与其母遇见，遂将受伤的算命瞎子就近带到杨之云处， 从而得知他们的真正身份——因弹劾宦官魏忠贤而被杖毙的左副都御史杨涟之女杨慧贞；保卫忠良之后的石门樵将军。因二人都被朝廷通缉，东厂追杀，顾生就此在屯堡设下重重计谋，又得高僧慧圆（乔宏 饰）帮助，以期摆脱东厂追兵，逃出生天。　　电影根据蒲松龄《聊斋志异》中《侠女》一篇改编。

简介：故事发生在1993年的夏天，女孩弗里达（莱娅·阿蒂加斯 Laia Artigas 饰）的母亲因病不幸去世，留下可怜的小姑娘无人照顾。弗里达的舅舅埃斯特维（大卫·维达古尔 David Verdaguer 饰）和舅母玛尔加（布鲁娜·库希 Bruna Cusí 饰）收留了无家 可归的弗里达，但这也意味着，弗里达必须离开出生成长的大城市，习惯乡村的生活。 弗里达很快就融入了多姿多彩的有趣乡村生活中，善良的埃斯特维和温柔的玛尔加渐渐让弗里达重新感受到了家庭的温暖。可是即便如此，弗里达还是非常的想念自己的母亲，她将所有的思念之情都寄托在了神像上，希望神像能够重新恢复她和母亲之间的联结。

简介：

简介：

简介：警察童明松（祖锋 饰）负责调查一起车祸，大学生蚊子（常方源 饰） 意外惨死，童明松决定同哥们儿——喜欢蚊子的修车工秦枫（朱亚文 饰）一起调查事件真相。两人追查真相时牵扯出了中产阶级夫妻乔永照（秦昊 饰）和陆洁（郝蕾 饰），陆洁因为女儿在幼儿园的玩伴宇航，认识了她的妈妈桑琪（齐溪 饰），却在与其交往的过程中发现了丈夫的外遇……随着蛛丝马迹的层层披露，事情越来越蹊跷，童、秦二人发现乔永照、陆洁、桑琪都藏有不可告人的秘密。©豆瓣

简介：史蒂芬斯先生（安东尼·霍普金斯 Anthony Hopkins饰）是一个忠实的仆人，他曾经当过英国著名爵侯的管家。目前正一心一意打理新主人达林顿勋爵的公馆，成为这里的大管家。这里来了一个女管家基顿（艾玛·汤普森 Emma Thompson饰），她精明能干，操持起家务来比史蒂芬斯更灵活，起初斯蒂芬斯常常与她有些小矛盾。但是随着相处日子渐长，善良的基顿还是暗暗打动了史蒂芬斯。尽管基顿一再流露真情，举手投足间泄露了爱意。但是每到动情关头，史蒂芬斯都隐忍着自己的情感，对基顿的爱化作一段埋没在静默中的故事。基顿忍痛告别这段无果之爱，远走他乡嫁为人妇。当时光荏苒，二人再次会面，心里的爱意仍然说不出口，浓浓思念化作车站道别的一句祝福。©豆瓣

简介：

简介：

简介：Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.