铁血战士：狩猎[电影解说]

简介：抵抗运动的领导人之一杰彼耶杀死德国卫兵，逃出了国际集中营。不久，杰彼耶到英国接受戴高乐将军授勋，但在得知替代他的临时负责人菲力克斯被捕后，连夜乘飞机跳伞回国营救。几经曲折，他们始终未能救出同伴，菲力克斯和挚友弗朗索瓦在狱中服毒自杀。后来杰彼耶也遭被捕，玛蒂尔德精心策划把他营救出来。就在杰彼耶养伤的过程中，玛蒂尔德却被捕了，并被敌人以女儿作人质威迫她供出同伴，但最后她却死在同伴的枪下。　　本片中的人物与浪漫主义作品中的英雄人物不同，他们虽是为了集体和民族的利益而战，但也会因情感的软弱和个人的动机而屈服。影片格调深沉、色彩凝重，相当写实地还原了二战期间法国地下游击队的艰苦而冷酷的战斗生活，以低调朴实的纪实片风格塑造出几个英雄人物，把他们身处的孤立无援、危机四伏的困境都鲜明地表现出来。影片还运用了多种艺术方法，生动有力地表现了作者对抵抗运动及其时代的反思。我国内地曾正式上映，男女主角的演出相当抢眼。

简介：生物进化学家玛歌博士（潘妮洛普安蜜勒饰）与警探文生（汤姆赛兹摩饰），遇上一连串令人毛骨悚然的谋案，案发地点皆在玛歌工作的自然历史博物馆。博物馆正筹备南美洲历史遗迹的古文物大展，馆长安卡斯伯（琳达杭特饰）为此次的盛大展出，设计各种令人叹为观止的展览馆，包括了巴西“卡索加”区、埃及古坟区、马雅古坟区、巫毒教展示间以及迷信传说展示区等，以期在募款的开幕酒会中，得到各界瞩目，延续博物馆的命运。开幕酒会在即，博物馆内的谋杀案却未侦破，警方并进一步发现涉案的杀人魔手法惨烈，遇害者皆是头部断裂，头颅有5.5呎大洞，视丘与脑下垂体等具有管理荷尔蒙作用的脑浆凭空消失！这与玛歌博士在古迹上意外取得的卵细胞分子DNA不谋而合，原本深信科学而排斥迷信的玛歌不得不转而求教于指导教授佛洛克（詹姆斯怀特摩饰），探索他时常耳提面命的“卡索加”杀人魔传说。开幕酒会人潮涌进，官盖云集！卡索加躲在历史博物馆迂回的展览屋内伺机而动，玛歌与文生警探正解开“卡索加”之谜，卡索加则已现身酒会会场，惨绝人寰的惊叫声在黑暗中此起彼落……

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简介：Netflix拿下Stephanie Perkins所著畅销小说《你房里有人》(There’s Someone Inside Your House)的电影改编权，温子仁的Atomic Monster和肖恩·利维的21 Laps制片公司参与制作。亨利·盖登(《沙赞》《地球回音》)改编剧本，讲述年轻女孩Makani Young从夏威夷去到内布拉斯加与祖母一起生活，结交了一群新朋友，爱上了一个神秘的局外人Ollie Larsson，但她以前在夏威夷的生活依旧难以忘怀。不久后，她的高中朋友们开始莫名其妙的在一系列可怕的谋杀案中丧生，没人知道谁是下一个。虽然恐惧加剧，她对Ollie的感情越来越强烈，被迫直面内心的黑暗秘密。风格类似1980年代的恐怖电影与约翰·休斯的成长记事电影相结合，Michael Clear＆ Michael Clear (《安娜贝尔2》《关灯后》)也担任制片人。

简介：日本江户时代中叶，大雪之夜。武士深见新左卫门（榎木孝明饰）杀死了前来讨债的皆川宗悦（六平直政饰），不久，两家人皆家破人亡。深见一家留下一子婴儿新吉，宗悦家则留下两名幼女丰志贺和阿圆。　　二十五年后，江户深川。两家子女都长大成人，各自过着平静安宁的生活。三味线老师丰志贺（黑木瞳饰）邂逅了卖烟草的新吉（尾上菊之助饰），深深迷恋新吉的丰志贺深陷其中，难以自拔。然而到处拈花惹草的新吉并没有安于与丰志贺的爱情，与丰志贺的弟子阿久（井上真央饰）暗度陈仓。为爱痴狂的丰志贺在写下“若另娶，必杀之”的遗言后含恨辞世，一场由深深相爱到互相憎恨的痴爱孽缘随即展开。

简介：手机里传来陌生的铃声，呼叫人竟是自己的名字，另一端传来不知所谓的留言内容，但那毫无疑问的是自己的声音，这是怎么回事？　　“鬼来电”悄悄在高校学生中蔓延开来，一旦接到鬼来电，必然在电话所预言的时间内悲惨死去。由美（柴咲コウ饰）的好友阳子、研二、夏美先后惨死，由美有心挽救好友们的生命，却爱莫能助。　　山下（堤真一饰）的妹妹早先亦死于这通电话，他企图帮助由美一起企图揭开真相，可很快，由美也收到了鬼来电……

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简介：柳生一族因为武艺高强一直都受到德川家的信赖依重，但也因此受到来自各方的觊觎。由于外传世间有三卷武艺帐隐藏了对柳生家极为不利之证据，引发各山头势力积极追查武艺帐下落……

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简介：青年作家伊万（谢尔盖·佩列金 Sergei Perelygin 饰）深爱着美丽的女孩娜塔莎（娜塔莎·金斯基 Nastassja Kinski 饰），可娜塔莎喜欢的却是富家公子阿洛沙。娜塔莎出身于平民之家，她和阿洛沙的这段感情自然遭到了公爵的强烈反对，公爵希望阿洛沙能 够迎娶门当户对的富家千金卡嘉，并为两人制造了很多相处的机会。　　渐渐的，阿洛沙淡忘了娜塔莎，将对她倾诉的誓言一并抛之脑后，公爵破坏了娜塔莎的爱情还不觉得过瘾，咄咄逼人的利用伊万继续羞辱着娜塔莎。一次偶然中，伊万救下了一个孤苦伶仃的小女孩，巧合的是，她的母亲竟然正是曾经被公爵辜负过的可怜女人，她早因为公爵的恶行而撒手人寰。

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简介：Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.