死亡幻觉[电影解说]

简介：

简介：착하고 선량한 머슴인 벙어리 삼룡이(김진규)는 오갈 데 없는 자신을 거두어준 오생원 영감의 은혜를 잊지 않고 주인 일가를 성심껏 섬긴다. 어느날 돈에 팔려 순덕(최은희)이 난폭한 주인의 아들 광식(박노식)에게 시집온다. 식모로 일하는 추월(도금봉)에게 정신이 팔린 광식은 순덕을 심하게 구박한다. 삼룡은 남편 때문에 눈물로 세월을 지새는 순덕 아씨가 안쓰러워 남몰래 연모한다. 삼룡은 광식과 추월이 물레방아간에서 정사를 나누는 것을 발견하고는 기절초풍해 이 사실을 추월의 남편에게 알린다. 이 일로 해서 그렇지 않아도 아씨를 두둔한다고 눈 밖에 났던 삼룡은 광식에게 죽도록 두들겨맞고 집에서 쫓겨난다. 삼룡이 쫓겨나던 날 밤, 오생원의 집에는 원인 모를 불이 난다. 삼룡은 불기운을 이기지 못해 쓰러지기 직전인 집으로 뛰어들어 아씨를 구해낸다. 목숨을 구한 아씨가 광식이 안에 있다며 어쩔 줄 몰라하자 삼룡은 다시 집안으로 뛰어든다. 그리고 삼룡은 집밖으로 나오지 못한다.　　닫기　　Samryong（Kim Jin-kyu）的美丽和好看的愚蠢，为他的主人的家庭服务，而不会忘记Oh-Yuan的灵感。有一天，他们卖钱，而顺德（崔恩熙）则与暴力主人的儿子Kwang-sik（Park，Sik）结婚。Kwang-sik一直被推销为倾销（platbong）作为一家食品店，严重袭击了顺德。Sanryong因为流泪而厌倦了她的丈夫，她厌倦了她。Samryong发现他正在Mireyeongbang分享他的事务，他告诉他翻倒的丈夫。看不见的Sam Ryong被Kwang Sik殴打致死并被赶出了家门。在Sam Ryong被赶出去的那个晚上，Ohwonwon的房子里发生火灾。Sam Ryong并没有赢得大火，因此他在堕落前赶到了房子里救了那个女人。救了她一命的女人说她在屋子里，Samryong跳回房子里。Sam Ryong没有离开家。

简介：新上任的三圃市警署署长李承宇（孙秉浩 饰）为了挽回警察在市民心目中的形象，亦为个人大造政绩，异想天开决定实行一次银行模拟劫案演习，当然，对这次训练的态度警局众人心照不宣，大家都明白这不过是逢场作戏，然而被安排扮演劫匪的巡警郑度满（郑在泳 饰）却不这么认为。平时默默无闻行事一丝不苟的郑度满受命后全力研究劫匪作案手法，完全进入了角色。演习当日，郑度满的专业表现令所有人大惊失色，警方的便衣与突击队纷纷“阵亡”在郑度满的枪下，原计划在媒体面前大出风头的李承宇如意算盘落空，却又对郑度满无可奈何。究竟这次“劫匪”逞凶的演习该如何收场？　　本片剧本出自韩国著名编剧张镇之手，他的知名作品尚有《欢迎来到东莫村》等。

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简介：上海江滨造船厂女电焊工、劳动模范丁小亚，来到南方疗养院疗养。但是，她惦记着工作，更怕大家疏远她，第二天便离开了疗养院。丁小亚的行动，引起记者舒朗的注意。舒朗回到了阔别多年的上海，他从小生长的长乐村发生了许多变化。他意外地发现，丁小亚是妹妹舒秀云的好朋友。丁小亚准备带礼物去参加同班组女工朱丽芳的婚礼，却没想到朱丽芳因为她是劳模而未邀请她。在邻居中，另一位没被邀请的是曾经当过工读生的男青年杜海。长乐村沉浸在一片欢乐之中，丁小亚和杜海显得格外孤独。次日早晨，大家还都没有上班，丁小亚已全身心地投入到工作中，．忘却了周围人对她的冷落。可组长陈金根和朱丽芳仍对她冷嘲热讽，这引起了舒朗的关注和深思。在船体合龙中，高吊坏了，丁小亚到动力车间求援。动力车间的小伙子提出和她掰腕子，声称她赢了谁，谁才和她去修高吊。钳工杜海故意输给丁小亚，然后带着另一名钳工黑子登上了百吨高吊。高吊出了事故，杜海奋不顾身救了黑子，但因他过去的“历史”，却受到了不公正的待遇。丁小亚同情他，也了解了他。舒朗热情地帮助丁小亚，希望她能顶住周围的压力，从孤寂中摆脱出来。同时，他发现自己已倾心于丁小亚了。组长陈金根因丁小亚拒绝了他的无理要求，便在一个大风天，故意让抱病上班的丁小亚到高空作业，结果丁小亚从船头摔下来，住进了医院。这次事故震动了班组每个人的心，陈金根在公休时独自来到厂里，将丁小亚的工作，继续下去。舒朗向伤愈的丁小亚表达了爱慕之情，却被丁小亚婉言拒绝。长乐村发生火灾，杜海、舒朗等奋力抢救。火灭之后，朱丽芳发现录音机不见了，便怀疑杜海所为。舒朗为杜海辩解，她仍然不信。真相终于大白，杜海的行为深深地打动了长乐村的人们。丁小亚紧握舒朗的手，感谢他关键时刻为杜海作证，原来她的意中人就是杜海。一个黄昏，舒朗完成了采访任务，要回北京了。他告别了长乐村的人们，带着生活给予他的启示和深思，踏上了归途。杜海帮助朱丽芳盖房收工后，拖着疲惫的步子走到家门口，发现丁小亚正在为自己生火做饭，两人默默地对视着，杜海慢慢地向丁小亚走去……　　影片力图塑造生活中可触摸的、活生生、有血有肉的人物它涉及了当代青年在生活中遇到的社会总是真实地表现了他们的快乐和苦恼、追求和向往，并以他们的经历和遭遇，用他们改变自身和周围状况的奋斗精神，向观众表明创作者对社会、对生活和态度和观点。

简介：没落书生顾省斋（石隽 饰）在小镇经营字画铺“代写书信春联”过活，奉养家中老母，偶然结识了家附近废屯堡新搬来的杨之云（徐枫 饰），与其暗生情愫。恰逢东厂人士欧阳年（田鹏 饰）前来打探，其与附近算命瞎子（白鹰 饰）动手，被顾生与其母遇见，遂将受伤的算命瞎子就近带到杨之云处， 从而得知他们的真正身份——因弹劾宦官魏忠贤而被杖毙的左副都御史杨涟之女杨慧贞；保卫忠良之后的石门樵将军。因二人都被朝廷通缉，东厂追杀，顾生就此在屯堡设下重重计谋，又得高僧慧圆（乔宏 饰）帮助，以期摆脱东厂追兵，逃出生天。　　电影根据蒲松龄《聊斋志异》中《侠女》一篇改编。

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简介：病重的母亲死于火灾，令乖乖女安娜（埃米莉·勃朗宁 Emily Browning 饰）备受打击，甚至企图自杀。经过一段时间的精神康复，安娜获准回到阔别已久的家中，那里有她身为作家的父亲史蒂芬（大卫·斯特雷泽恩 David Strathairn 饰），亲密无间的妹妹爱丽克丝（阿莉尔·凯贝尔 Arielle Kebbel 饰）以及令她不知该如何对待的未来继母——妈妈曾经的护士蕾切尔（伊丽莎白·班克斯 Elizabeth Banks 饰）。在此期间，安娜接连看到母亲凄惨恐怖的身影，好友马特（Jesse Moss 饰）则声称见到了火灾当晚的一切。种种迹象表明，安娜的母亲并非死于意外，姐妹俩自然而然将凶手锁定在蕾切尔的身上。　　未过多久，马特遇害。阴云重新笼罩在安娜一家人的头顶。这个可怜几近崩溃的女孩，在真实和虚幻之间彷徨失措……

简介：夏宇豪（范少勋 饰）是一个非常调皮和活泼的高中男生，一场意外之后，他连同死党王振文（杨孟霖 饰）和其义兄王振武（施柏宇 饰）一起转学来到了一所新的高中里。某日，夏宇豪逃课翻墙的英姿被排球队长贺承恩（谢毅宏 饰）和球队经理邱子轩（卢彦泽 饰）给撞了个正着，何承恩从夏宇豪敏捷的身手中看到了无限的潜力，于是热情的邀请他加入排球队。 就这样，夏宇豪成为了排球队中的一员，王振文和王振武两人也紧随其后。随着时间的推移，夏宇豪和邱子轩之间的距离迅速拉近，与此同时，文武两兄弟之间的感情线也越发清晰起来。

简介：Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.