孤狼之血[电影解说]
6.0 |10月02日 |电影解说
简介:
《孤狼之血》的故事背景为1988年施行《黑社会对策法》之前的广岛。被派到当地警署的日冈秀一,与传闻中跟黑社会有勾结的刑警大上章吾一起,负责调查金融公司员工失踪案。日冈因为大上异于常人的调查手段困惑不已。而同时,以失踪案为开端,对立的黑社会团体之间的抗争激化了,此时大上却 想出了一个大胆的计划……  《孤狼之血》的原著作者柚月裕子曾获得第69届日本推理作家协会奖,这部小说则被业界评价为“警察小说x‘无仁义之战’”。戏骨大叔役所广司和人气小生松坂桃李在片中分别饰演大上和日冈,一老一少的警探组合颇具看点,配角阵容中还不乏江口洋介、真木阳子等大腕。
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简介:Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.  This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
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